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Truth like a slap - a kiss won't do
A ReminderTRUTH LIKE FIRE & THE PARADOX OF SELF-REALIZATION
What these books can be like for at least one person, myself: Suppose there's something important you ran into sometime back. You meant to follow up on it, but it was rather disturbing and you didn't get around to it. Then you run into a reminder, and remember that there have also been other reminders. These books can be like that.
I hesitated to give a high rating to these books because that is a general statement and their value will depend very much on the individual. Very high for some, perhaps of no value at all for others. I thought maybe the reason these books "got" to me was that I knew (though slightly) some of the individuals named (though before they took on those names). However, my son saw them lying around, picked them up, read them with considerable interest, and refers to them now and again in conversation. You would have to know something of me, my son, and our relationship to appreciate how remarkable this is. Think I'll buy him copies. They'll probably just be around for a while. And then someday he may look into them again.
Simple and powerfulLee Waldren


OK Conjunctive ReferenceThe title, however, serves only as a secondary tool for studying the 70-222 exam. The Microsoft exam is very exacting. There are precise guidelines and rules to follow for any of the three types of migrations you can do. Unfortunately, the author quite often conveys information which contains his personal opinion on the way it should be done, or leaves you with a hazy feeling of 'well, which way is it supposed to be done?' Many parts of the book are a little bloated in that the concept for the whole chapter really could have been summed up in a paragraph while still conveying the information correctly. Looking back over the book post-exam, I notice that many heavily tested on components are either not mentioned, or so briefly as to not supply the information needed.
In summary, it's a good introductory title for users wanting to know how to migrate their networks and worth the read. For test preparation, the reading should be in conjunction with Microsoft's Domain Migration Cookbook white paper and the help file for the Active Directory Migration Tool.
Almost 5 stars...Every Chapter is detailed extremely well, but the end of chapter questions are NOTHING like the exam.
This book is great, but in order to earn 5 stars I would like to see the cd include a more accurate depiction of the actual MS test.
I was blown away by Case Studies! The case studies in this book are child-like compared to the real deal.
I've passed all of my MCSE tests with Sybex, but they need to upgrade their testing software to keep themselves above the pack...
Hope this helps.
Best Book for 70-222

A Long-Winded Rendition Of A Familiar Theme
Great Book
Great Book

Get Set to Draw!
treasureIt was red, it was ruby,it was a slipper, it was dorothy's.
dorothy gale from the wizard of oz she follow's the yellow brick road.


Boredom Blasters
Good book

Helps siblings of brain-injured kids understand rehab!
it is a good model of a brain injured kid and their family

Celtic names deciphered
A fun-to-read resource

The Mother of All Comedy BooksComic Relief is a quick-read, laugh-out loud collection of some of the very best comedy routines that appeared on the Comic Relief HBO specials from 1986-1995. Among the many (not all are listed in this review) comedians' work contained here are: Louie Anderson, Richard Belzer, Elayne Boosler, Billy Crystal, Whoppi Goldberg, Richard Jeni, Richard Lewis, Bill Maher, Dennis Miller, Paula Poundstone, Gary Shandler, Bob Saget -- you get the idea.
A question does arise: if you READ a comedian's routine (his or her "set") is it still funny? The unequivocal answer is: it depends.
I loved this book. I laughed at loud when I read this book. But it's interesting how some comedians you like a LOT are not as funny when you read what they are actually saying. The reason: their personna (their body language, their speech pattern) has a lot to do with the laughs they elicit. On the other hand, there are others who you may not have appreciated whose material is an absolute howl when you read it on the page.
It's easy to see which comedians have achieved success partly due to their personna and which other ones seem to have risen to the top largely due to sharp writing and editing that's funny even when you read it without seeing the delivery.
So this book is worth OWNING for several reasons:
--If you love comedy, there's some great stuff in it. You can put this book down, then go back after a year and read it again and it's still funny.
--If you are a student of comedy, it shows you some great comedy scripts. You'll be amazed at how you'll react at some of these bits if you don't SEE the comedians...and how amazed you'll be at how well written some of these monologues are. If you're doing comedy writing or performing it has some excellent routines that you can analyze to see what makes audiences laugh.
Standouts as far as being funny in script form include routines by Louie Anderson (the most anecdotal of all comedians), Gary Shandling, Richard Belzer, Richard Jeni (truly hilarious), Elayne Boosler, Rita Rudner, Stephen Wright (the best modern comedian to read in printed form), Bob "Bobcat" Goldthwait (whose mantra is "Scott Baio is the antichrist...") and Richard Lewis (who seamlessly blends strong personna and extremely strong comedy script).
This book also has short sections on homelessness and is a pitch for getting more money for "the cause."
Overall, a fun book to read, to own, to study (if you're into comedy and/or a comedian) and to re-read.
Comic Relief

The Inner Sanctum; not quite.It reads more like a compendium of valuable snippets and insights rather than as a continuous narrative. Brassai as a photographer met Picasso in Paris and was invited by the painter to take some photographs of his work. Most of these photographs were actually of Picasso's small (and not so small) recent sculptures. It was common practice for all sorts of artists at that time(and earlier) to have professional photographs taken of their output so they could see their creations from a different, more removed perspective (vanity?). Picasso was certainly no different.
Picasso himself was an avid amateur photographer and as John Richardson has pointed out in his excellent Picasso Bio. he was not merely content to paint the paintings he also tried to somehow install himself in his pictures via self portaits with various paintings as backgrounds. The camera had become an instrument of magic tele-kinesis.
Brassai's notes show us how enthusiastic Picasso was about his new friend's talents in portraying Picasso's sculptures as if new. Brassai goes on to render much detail of the retinue of followers and sycophants that daily alighted on Picasso's doorstep in Rue Grand Augustin during those mostly war years. One sees completely how it was none other than Picasso himself who craved such fawning even if he did ignore most of their attentions.
It is obvious that Brassai wished to cause no offence with this publication as he discounts all of Picasso's nasty foibles as necessary bohemian artistic exigencies.
The book is full of wonderful photographs of the characters that came into contact with the great man as well as various photos of Picasso's studio, output and abundant clutter.
There is even a complete listing of Picasso's paint requirements. I found that fascinating. One is reminded of Marcel Duchamp's comments that all paintings are really the same in as much as they all start out as a given colour range of tubes of oil paint.
There is little humanity in the observations and maybe that is no bad thing. Picasso and Sabartes are portrayed as two scheming nuncios whose Catalan dialect was the spoken code of choice. Much is given to calcuation of Picasso's position with Byzantine nuance and deliberation. Should he sign this picture? Should he see that dealer?
Overall, a valuable addition to the ouevre on Picasso and a book that can easily be dipped into from time to time.
A must for Picasso fans

Don't Get Caught in the Teachers' LoungeThe novel, Don't Get caught in the Teachers' Lounge, by Todd Strasser, is a story about three kids trying to pull off a scam at their school. If they get caught, they could get expelled. Wilson, Dusty, and Kyle, are buying drinks from the teachers lounge, and selling them in the boy's bathroom.
They novel takes place at the Harts Mark's Middle School, but the theme of the story is, when you do something bad, but you know you won't get caught, you shouldn't do it anyways. The main characters of the story are Wilson, Dusty, and Kyle. Wilson, is the kind of guy that likes to invent things and is always getting into trouble. Dusty, on the other hand, is a slick guy that can talk his way out of anything. Kyle, is just a nice guy that no one would expect to get in trouble. I like Dusty, Kyle, and Wilson, because they are funny when they mess up. I like the way the author wrote the book. I liked how he told about the different things. I also liked the way the author ended the novel.
Todd Srasser, keeps the reader interested by making things funny. The vocabulary is about right for the complication of the story. I liked the way the author told about everything. However, I think the author might have described everything a little too much. I recommend this book for right year olds to eleven year olds. It would be too hard for younger children and too easy for older children. I would recommend this book because it's funny, has some action, and isn't boring. From a scale from 1* to 5* I rate it * * * *.
K.A.B
Don't get caught in the teachers' lounge